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For artisan Joscelyn Himes, creating tribal and eastern-inspired, hand-dyed designs is second nature. In fact, she finds it meditative. "I love everything about the process. It's tactile, creative and incorporates my love of art history,” says Joscelyn. Since childhood, fiber arts have also been her form of entertainment.
"I started at five years old. We didn't have a television in our house growing up in Montana," Joscelyn explains. "Sewing, spinning and dyeing were passed onto me by my mother, who learned from her mother, who was self-taught." In high school, Joscelyn would make clothes she saw in magazines for her and her friends. After college, she became pregnant with twins. Joscelyn wanted to maintain her identity as well as find something she could do at home. Hand-dyed designs were the answer.
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"Because I was pregnant and paranoid, I turned to Shibori, the Japanese dye technique that has no chemicals," says Joscelyn, who sold her pieces through trunk shows. Eventually, the fashion world caught up with Joscelyn, and she was invited to create silk patterns for Vera Wang, Bill Blass, and Donna Karan Collection. It was Urban Zen, however, that encouraged Joscelyn to work in cashmere in tops, dresses, and luxe scarf-blankets. Cashmere, says Joscelyn, is "as a piece of cake" given how well it takes color.
Donna fell madly in love with the exclusive Urban Zen scarves that double as lightweight blankets. One design, a black, red and ivory tie-dye look, became a signature for Donna, who wears it throughout the year. Recently, Urban Zen asked Joscelyn to create one-of-a-kind series inspired the indigenous art of Nomad Two Worlds. “Talk about objects of desire,” says Donna. "To see one is to want to immediately possess it. It’s truly wearable art."
Joscelyn, who studied fine arts, fiber and print-making, has lived in Kansas City since college. She has a studio and two assistants. Her craft is “not technological advanced at all.” She works with one big table, an 11 foot long sink and a 45 gallon dye tank. She uses primarily in reactive and acid dyes and prefers a limited palette, feeling she can do more with less.
For Joscelyn, the reward comes in how her designs make people feel. "The feedback is remarkably humbling," she says, especially from those who were gifted with a scarf while ill or undergoing chemo. "The feel and the color were uplifting during their time of stress and helped them to feel beautiful.” Comfort has never been quite so artistic or sensual. |